Unabridged: a Charlesbridge Children's Book Blog

Happy 10th Birthday, Lola! 0
By Anna McQuinn
After I decided to take a break from publishing in 2003 (I’d been Publisher of my own list for the previous six years prior to a takeover), I returned to working directly with children. I was really lucky to get an almost full-time position with Sure Start (an organization like Head Start) in Acton in West London, and I was tasked with reaching out to the community and encouraging families to join and use the library. Acton has a particularly diverse community and in some areas quite a deprived one, and my organization felt that the community was not accessing enough of the library services.
To achieve this, I started up a Family Book Group (we started each session with the choice of a very easy craft, puzzles, or small play, then tidied up for some songs and rhymes). Then I went about the community visiting baby clinics, drop-in clinics, free milk days, and play groups to let families know about the library. However, I discovered that many of the arguments around books and very young children are not yet won.
Families Anna worked with at the library.
Having worked in children’s publishing for almost twenty years, I thought that everyone knew how important it is to read with young children. However, when I started doing outreach, I realized that I had to make these arguments all over again; moms had to be persuaded that it was not silly to read a book to a toddler who can’t read; parents had to be persuaded that it was appropriate to bring a little child into a library and that they would be welcome and find things to do; moms had to be reassured that if their baby made a noise in the library, that would be okay…
Anna's library gang, 2012.
So, like Lola herself who solves all of life’s problems with a book, I decided to write a simple story about a little girl who goes to the library—to show her choosing books, to show story time and rhyme time, and to show her mommy read to her. I feel so lucky that Charlesbridge saw the potential of this simple little story and decided to publish it—Lola at the Library came out in 2006, ten years ago this year!
Lola at the Library. Text copyright © 2006 by Anna McQuinn. Illustrations copyright © 2006 by Rosalind Beardshaw. Published by Charlesbridge Publishing, Inc.
Lola en la biblioteca. Text copyright © 2008 by Anna McQuinn. Illustrations copyright © 2008 by Rosalind Beardshaw. Published by Charlesbridge Publishing, Inc.
People often ask me why I decided to make Lola a little girl of African heritage. In fact for me, there was no big decision—I don’t think there needs to be some special reason to make a child of color the star of a story. On the contrary, I would say “Why not?!”
I strongly believe that the range of books on offer are not diverse enough. And, I believe that we can’t fix this if we wait around for some special reason to feature a child of color in a story. Folktales are beautiful and books which deal with issues are necessary, but I think if you are three and a half, don’t you ache to see someone just like you in a story? So when I had the thought, “Could Lola be a little girl of color?” I immediately felt, “Why not?!”
Lola was of course much loved by librarians when she first appeared—how could any book enthusiast resist this tiny book-loving hero? As her story developed, (Daddy appeared in the second title and she got a new baby brother, Leo, in the next, who now has his own series for even younger readers) the series found a wider audience—though booklovers are always her biggest fans.
Lola Loves Stories. Text copyright © 2010 by Anna McQuinn. Illustrations copyright © 2010 by Rosalind Beardshaw. Published by Charlesbridge Publishing, Inc.
A Lola le encantan los cuentos. Text copyright © 2012 by Anna McQuinn. Illustrations copyright © 2012 by Rosalind Beardshaw. Published by Charlesbridge Publishing, Inc.
Lola Reads to Leo. Text copyright © 2012 by Anna McQuinn. Illustrations copyright © 2012 by Rosalind Beardshaw. Published by Charlesbridge Publishing, Inc.
Lola le lee al pequeno Leo. Text copyright © 2013 by Anna McQuinn. Illustrations copyright © 2013 by Rosalind Beardshaw. Published by Charlesbridge Publishing, Inc.
Leo Loves Baby Time. Text copyright © 2014 by Anna McQuinn. Illustrations copyright © 2014 by Ruth Hearson. Published by Charlesbridge Publishing, Inc.
A Leo le gusta Bebelandia. Text copyright © 2015 by Anna McQuinn. Illustrations copyright © 2015 by Ruth Hearson. Published by Charlesbridge Publishing, Inc.
Leo Can Swim. Text copyright © 2016 by Anna McQuinn. Illustrations copyright © 2016 by Ruth Hearson. Published by Charlesbridge Publishing, Inc.
Readers have also fallen in love with the illustrations, and I feel so privileged to work with two women who are as nice as they are talented: Rosalind Beardshaw (the Lola books) and Ruth Hearson (the Leo books).
Books and reading continue to be at the core of Lola's adventures—a story will fire her imagination and when faced with any difficulty, she always looks to a book to solve it: she dresses up and plays at being characters from the stories she reads; her mom uses stories to prepare her for the arrival of the new baby; she reads Mary Mary Quite Contrary in a book of garden poems and immediately wants to try to grow some flowers of her own (necessitating a trip to the library for some research of course), and in her next adventure publishing in Spring 2017, when she really really wants a cat, she proves to her mom that she’s ready to be responsible by finding out all about how to care for cats.
Coming in Spring 2017:
Lola Plants a Garden. Text copyright © 2014 by Anna McQuinn. Illustrations copyright © 2014 by Rosalind Beardshaw. Published by Charlesbridge Publishing, Inc.
Lola planta un jardin. Text copyright © 2017 by Anna McQuinn. Illustrations copyright © 2017 by Rosalind Beardshaw. Published by Charlesbridge Publishing, Inc.
Coming in Spring 2017:
Lola Gets a Cat. Text copyright © 2017 by Anna McQuinn. Illustrations copyright © 2017 by Rosalind Beardshaw. Published by Charlesbridge Publishing, Inc.
I think for that reason, book lovers everywhere see themselves in her stories. Certainly I see a lot of myself in her—I was one of those kids who read everything in sight (including the back of the cereal packet at breakfast and the back of the shampoo bottle while sitting on the loo). And I think this has contributed not just to her success but to her longevity. Lola at the Library is ten years in print this year and still going strong—and not just in the U.S., but in the UK, Netherlands, Denmark, Republic of Korea, South Africa, Brazil, and soon, Sweden!
The UK (left) and Ireland (right) versions of Lola at the Library.
The Netherlands (left) and Denmark (right) editions of Lola at the Library.
The Brazil (left) and Republic of Korea (right) translations of Lola at the Library.
You’ll see from the covers that Lola has different names around the globe. She began life as Lola and is still called Lola in the U.S.—in both English and Spanish editions. In the UK, not long before publication, Lauren Child’s book series, Charlie & Lola was acquired for children’s TV by the BBC. Afraid of possible confusion, I racked my brain for an alternative. She was called Layla for a time, but it’s funny, even though it’s just one letter more, it seemed too long for a little cutie like Lola. Then one day on my way to my library group, I heard a Somali mom beckon her little girl, “Lulu!” and there it was—a short name that still alliterated with Library! When the Dutch translation was underway, the publisher at Luister contacted me and asked if she could change the name. She too wanted it to alliterate with Library, which is bieb in Dutch, and she already had a proposal—Bibi. I thought it was perfect! In Denmark, they felt Lulu didn’t sound quite right and went for Luna, while in Brazil, they stuck with Lulu. And in the Republic of Korea—well, you tell me!
Anna McQuinn has worked in children's books for more than twenty-five years as an editor, publisher, and writer. She has written more than twenty books for children, including the Lola series and books about Lola's baby brother, Leo. Anna lives in England.

Encouraging Inspiration and Invention: The WHOOSH! Backstory 0
From Chris Barton's Author's Note for Whoosh!: Lonnie Johnson's Super-Soaking Stream of Inventions
A Super Soaker uses a pump to compress the air found in its water reservoir, which puts pressure on the water. When the trigger is pulled, the pressurized water can escape and . . . WHOOSH! If you search the internet for "how Super Soakers work," you'll find a lot more about what goes on inside Lonnie Johnson's most famous invention.* But if you want to better understand how Lonnie Johnson himself works, then you'll put this book down, step away from the computer screen, and get permission to take something apart so you can see those kinds of goings-on for yourself. You might even start with a Super Soaker.
This book began with a lunchtime conversation I had with a couple of librarians in Texas. They had recently gone to a seminar where attendees were asked to draw a picture of a scientist. The most common image was of a guy who resembled Albert Einstein—lab coat, wild hair, white skin. The point of the exercise was to draw attention to the fact that scientists are more diverse than that. The lesson those librarians learned rubbed off on me, and by dinnertime I had found the story of the African American rocket scientist who invented the Super Soaker.
What was most appealing to me about Lonnie Johnson's story was the fact that it was still unfolding. He didn't just take his Super Soaker money and retire young. Instead, he directed it toward hands-on efforts to solve one of the most important engineering puzzles of our day. His mission? To efficiently harness heat energy—from the sun and other sources—in order to generate the electricity we need without polluting the planet.
I loved talking with Lonnie Johnson for this book. I have never laughed as hard during an interview as I did when we discussed his work on Linex and how his family "put up with" his efforts—or rather, how they encouraged him. It's no surprise that today, even as he continues his own work, Lonnie Johnson makes time to encourage the efforts of tomorrow's scientists and engineers.
I hope that this book will encourage them, too.
*Throughout his life Lonnie Johnson has sometimes worked alone and at other times as part of a team. The water gun that began in his bathroom got some help along the way from a builder of prototypes named Bruce D'Andrade. The names of both men appear on the original patent for what became known as the Super Soaker. However, Bruce's widow, Mary Ann. told me that her husband considered Lonnie to be the inventor.
Chris Barton is the author of Whoosh!: Lonnie Johnson's Super-Soaking Stream of Inventions, illustrated by Don Tate, and Sibert Honor book The Day-Glo Brothers: The True Story of Bob and Joe Switzer's Bright Ideas and Brand-New Colors, illustrated by Tony Persiani.
- Colette Parry
- Tags: Chris Barton Don Tate Lonnie Johnson Super Soaker Whoosh!

Notes from The Fay B. Kaigler Children's Book Festival at the University of Southern Mississippi 0
By Megan Dowd Lambert
A Crow of His Own. Text copyright © 2015 by Megan Dowd Lambert. Illustrations copyright © 2015 by David Hyde Costello. Published by Charlesbridge Publishing, Inc.
I’ve attended many conferences. Sometimes I attend as a speaker or trainer, sometimes as an award committee member, and sometimes I go to conferences for my own professional development and learning. After publishing my first books with Charlesbridge last year (my debut picture book, A Crow of His Own illustrated by David Hyde Costello, and my book about picture books, Reading Picture Books with Children: How to Shake Up Storytime and Get Kids Talking About What They See), I’m just getting used to attending conferences as an author.
I’m liking it!
April 6-8 I attended the Fay B. Kaigler Children’s Book Festival at the Thad Cochran Center on the University of Southern Mississippi campus in Hattiesburg, where I accepted the Ezra Jack Keats New Writer Honor Award for A Crow of His Own. New Writer Medalist Don Tate, New Illustrator Medalist Phoebe Wahl, fellow New Writer Honor winner Julia Sarcone-Roach, and New Illustrator Honor winners Ryan T. Higgins and Rowboat Watkins were also recognized.

EJK Book Award Medalists and Honorees (from left to right): Julia Sarcone-Roach, Phoebe Wahl, Megan Dowd Lambert, Rowboat Watkins, Ryan T. Higgins, and Don Tate, #GetBehindPictureBooks.
What excellent company! For starters, I was the only person recognized who is not also a visual artist, so that kept me feeling mighty humble. I was delighted to meet all of these talented people and to hear about their work and their aspirations.
But, it was also a tough time to travel to Mississippi given the recent passage of House Bill 1523, which, in a nutshell, allows denial of services to LGBTQ+ people, based on religious convictions. I was still en route to Hattiesburg when author Lois Lowry gave her talk at the festival, but attendees told me that she spoke, in part, about her response to this law and another discriminatory measure in North Carolina. I was heartened by this news and also by the spirit in which it was shared with me. You see, I’d decided that I wanted to use my brief acceptance speech as a platform to put out a call for more representation of LGBTQ+ people in children’s literature (Crow features a gay couple, Farmer Kevin and Farmer Jay, as secondary characters) but I wanted to do so in a way that would be heart-opening and affirming, not scolding. I didn’t want to be like a houseguest who arrives and criticizes her host’s furniture, but I knew I couldn’t make myself at home at USM without saying something.
I had more time to think about my speech as I also attended other programs. A dinner hosted by Ellen Ruffin of the de Grummond Collection at USM gave me opportunities to chat with people from the Ezra Jack Keats Foundation, which is dedicated to “bringing the multicultural, creative spirit of Ezra Jack Keats into children’s lives and literature.” I then went to hear the Coleen Salley Storytelling Award Winner, Tim Tingle, and I was incredibly moved by his performance.
Tim Tingle’s award-winning storytelling.
One story he told was based on his award-winning book Crossing Bok Chitto. Another was based on his Oklahoma Choctaw family history and the Trail of Tears. Although they carried different emotional tones, both included scenes of people walking along paths, and in my mind’s eye I saw Keats’s Peter making a path of footprints through the snow, and I saw myself, and everyone else in the room, on our own respective paths in our lives. That night, I returned to my room, inspired, and revised my speech.
The next day I was very fortunate to hear Deborah Pope, Executive Director of The Ezra Jack Keats Foundation, deliver the Centennial Ezra Jack Keats Lecture. She gave a marvelous overview of his life and career, sharing anecdotes from her family’s personal relationship with him, brilliantly juxtaposing books from his career—I loved how she cited The Snowy Day and Clementina’s Cactus as perfect bookends to his life’s work: one a story about a boy and his mother in the winter at one end, and a story about a girl and her father in the desert at the other), and emphasizing his commitment to diversity in children’s literature. Pope said that when she asked why he decided to depict a Black child in The Snowy Day, Keats responded, “Because he should have been there all along.”
Dr. Deborah Pope delivering the Centennial Ezra Jack Keats Lecture.
Next, I was excited to hear Jacqueline Woodson speak as the recipient of the 2016 Southern Miss Medallion. She’s been a favorite author of mine ever since I read one of her early novels, I Hadn’t Meant to Tell You This, in 1996 as an undergraduate at Smith College in the children’s literature class that prompted me to enter this field. Since then, I’ve shared her books with my children, taught them in my classes, welcomed her to speak at Simmons College, and have learned so much from her. As I sat at USM that day, I was so thrilled that she was receiving yet another well-deserved award for her truth-telling, heart-opening, gorgeous, powerful work.
2016 Southern Miss Medallion recipient Jacqueline Woodson.
Several years ago when I published my first essay in The Horn Book Magazine, Jackie wrote me an email in response, just to reach out and cheer me on in my effort to reflect on trying to find books about diverse family constellations like mine. Like hers. Her generosity moved me then, and when she spoke at USM about mothering, writing, reading, resisting, and yes, the hateful law passed in Mississippi, she emboldened me to get up and give my speech.
Excerpts from all of the Ezra Jack Keats Award speeches are posted on the Keats Foundation website and I encourage you to read them. They are heartfelt, warm, and loving offerings of thanks from a group of talented people striving to make good books for children.
I was especially moved by Don Tate’s speech, which included a story about meeting some of the descendants of the subject of his book, George Moses Horton.
Ezra Jack Keats New Writer Medalist Don Tate.
For my part, I was proud to be introduced by K.T. Horning, a hero of mine in our field, and a person I enjoyed getting to know a bit better at USM. Then, Lois Lowry presented the award to me, and I had a moment of remembering adoring her books as a kid and wanting to go back in time to say to my ten-year-old self: “Anastasia’s writer is going to give you an award. For writing.”
Like the others who spoke, I did offer thanks, but I ended up saying: “Please, let’s walk a path together toward a truly inclusive children’s literature that will embolden, delight, inspire, and free all children as they realize the birthright of growing up to be exactly who they are.” I talked about my own identity and about my family, and I talked about the need to move away from an all-straight world of children’s books as surely as we need to move away from an all-white world of children’s books. Read the whole speech here, if you’d like.
And after my speech, I sat down, feeling a little shaky, and Tim Tingle blew me a kiss, and Rita Williams-Garcia gave me two thumbs-up. And then people started coming up to me, there at the conference, and then at a book-signing, and there were hugs, and notes passed to me with coming out stories, and a grandmother buying my book for her grandbaby “because she has two mommies,” and a woman buying my book and getting me to sign it for a young child who is transgender and whose parents are loving her through others’ rejection and hatred.
The celebratory dinner in honor of Ezra Jack Keats’ 100th birthday was a final chance for us to toast one another’s joy in carrying on his legacy.
And I got to wear my fancy new shoes:
I was sorry to miss many of the other speakers while I was there (it was my first time away from my still-nursing one-year-old for more than a day, and I had to keep returning to my room to pump—no fun!), but I did get to say hello to Melissa Sweet, George O’Connor, and Joyce Sidman. When I got home, I had a lot of new books, and many thank-you notes to write. It was a powerful, humbling, thrilling few days, and I am so very…honored!
Megan Dowd Labert is a senior lecturer in children's literature at Simmons College, where she earned her master's degree in children's literature after completing a B.A. at Smith College. She writes for The Horn Book Magazine; served on the 2011 Caldecott committee; and worked at the Eric Carle Museum of Picture Book Art for many years, leading Whole Book Approach storytimes and training others in her methods, which inspired the publication of her book Reading Picture Books with Children: How to Shake Up Storytime and Get Kids Talking about What They See.

Charlesbridge Celebrates National Library Week 1
(Austrian National Library, Hofburg Palace)
In the words of iconic actress Katharine Hepburn, "What in the world would we do without our libraries?" At Charlesbridge, we couldn't agree more! So in honor of National Library Week this year with its theme of "Libraries Transform," we wanted to share our favorite things about libraries with all of you:
My favorite thing about libraries is wandering. I used to be a student worker at my college library’s circ desk and I loved shelving because it would take me to areas of the library I wouldn’t normally go to. I brought home five new books to check out and look at every time. —Lauren Barrett, Sub-rights Coordinator/Associate
I absolutely love the atmosphere at any library—a quiet mix of curiosity and relaxation! I also appreciate creative book displays and the general convenience of borrowing physical and audio books. —Julie Bliven, Editor/Contracts Manager
When I walk into the BPL Connolly Library in Hyde Square in Jamaica Plain, I’m always struck by three things: 1) the physical beauty of the building, 2) the vast and beautiful diversity of the patrons, and 3) the various activities going on. From youth tutoring programs to computer terminals for teens and adults, from Boston City Council hearings hosted in the basement auditorium to the slew of kids on the floor surrounded by picture books, to an enormous Spanish section to the bilingual staff, my branch library is a gift to the community and a hub of activity. Libraries across the United States fill more roles than any one person can imagine, and their importance can’t be overstated. ¡Viva la biblioteca! —Karen Boss, Associate Editor
(BPL Connolly Library, Hyde Square, Jamaica Plain, MA)
Libraries are my happy place. When I walk into a library, the aroma of books both old and new hangs in the air and I feel like I’m home. I enter ready to embark on new adventures, to crack open spines and sift through pages, hoping to find my next favorite read, and before I know it, I’ve been wandering among the stacks for hours and enjoying every minute! I’m not in a rush at the library, I can slow down and let my eyes take in every inch of the shelves, it allows me time and peace as I peruse. I love libraries because that’s where I go to relax and stumble upon new characters. I always end up leaving with a huge stack of books in my arms, ready to jump head-first into each one, but wondering how I’ll ever have time to read them all! —Rachael Doody, Sales and Marketing Assistant
I’ve found myself using the library more than I ever have and it’s due to my two-hour daily commute. I have been checking out books-on-CD in order to take a break from the commercial-filled radio stations. Listening to books helps tune out the traffic and makes my daily commute less stressful. —Tracy Fournier, Accounting Manager
Libraries hold secret treasures. Like many kids, I fell hard for fantasy: Tolkien, Lewis, LeGuin, McKinley. But I didn’t know there were other people who liked that stuff; everyone I knew just looked at me blankly when I talked about it. The library didn’t judge me, though. There was a whole section of fantasy! I was obsessed with one gorgeous, oversize book, The Flight of Dragons, and kept borrowing it over and over again. Part of me daydreamed about stealing it—just slipping it out the window. Who was reading it besides me, anyway? But I never did, and I like to imagine that in the decades since, many other misfit kids have discovered and cherished that book—and other library treasures. —Alyssa Mito Pusey, Senior Editor
Libraries have always felt welcoming to me. I love the way they smell. I love to wander the aisles, run my fingers over the titles, and select anything that pops out at me. Usually, the thicker the better. In larger or university libraries, I can’t resist pulling the leather-bound books off the shelves that send the dust flying, to delightedly discover that the book was published in 1876. Who could have read it before me in the last century and a half? I miss the days of the paper checkout slips because you’d be able to see how long it had been since someone checked out that particular book—imagine, this was last borrowed in 1954! But whatever I discover, or whatever the reason I find myself in a library today (which often now is to work peacefully on my laptop), I always feel right at home. —Monica Perez, Executive Editor at Large
I love that libraries are not just about books, but about communities. From the staff to the patrons to the people in the parking lot, libraries are full of fellow book and content lovers, connecting folks from all around town with events, resources and good reads. —Megan Quinn, Senior Director of Sales
A library is a great equalizer, providing everyone with access to the information and books they need or would like to read and that they may not otherwise be able to get. It contains a vast wealth of knowledge in one inviting place that we are lucky to be able to visit whenever we want. And I LOVE being around all those books! —Cynthia Ritter, Marketing, Publicity & Promotions Assistant
I enjoy making a lot of noise at the library. I like to drop books on the floor. BAM! I love how it echoes throughout the building! I also like to ask the librarian questions from thirty feet away. “Hey! Where can I find a book on etiquette??” Other things I enjoy doing at the library: whistling, wearing squeaky shoes, and reading out loud! “SAY! I do like green eggs and ham!” Libraries are fun! —Bob Sammartino, Accounting Director
I have always loved the experience of walking into a library, finding something that interested me, and sitting down to read for hours. When I was a kid, my mother had to call the town library and ask the librarian to send me home for dinner. —Martha Sikkema, Senior Designer
I’ll never forget signing my name on my first library card. I knew I had experienced one of the great watershed moments on the path from childhood to adulthood. Choosing my own books each week at the public library was perhaps THE most important way that I began to shape my own destiny and my future grown-up self. I’m lucky I had both a mother who encouraged this and a school system that supported my early reading habits—but I also needed libraries and librarians to light the way. That great partnership between families, schools, and libraries is critical to every child’s success. —Yolanda Scott, Associate Publisher/Editorial Director
(Little Yolanda, November 1977)
[To the tune of "My Favorite Things"]
Words on bright pages
With illos and gate folds
Couches for reading
New arrivals and place holds
Stories of heroes and villains and kings
These are a few of my favorite things
(About the library).
—Donna Spurlock, Director of Marketing
What's your favorite thing about libraries? Share in the comments below!
- Cindy Ritter
- Tags: Charlesbridge Librarians Libraries National Library Week